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De-Canon

a de-canon is a not-straight rule
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"The history of English is inextricably tied to the history of war, to the history of empire; they cannot be separated. And hence our literature cannot be separated from these histories. Language is one of the most powerful weapons of war. It is also one of the war's first victims."  

---Robin Coste Lewis @ Portland Arts & Lectures, on 4.20.16

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AWP 2019 Offsite Events at De-Canon

March 16, 2019

We are thrilled to be hosting a number of terrific readings and events at De-Canon during the last week of March as part of the offsite event offerings for AWP 2019 (Association of Writers & Writing Programs), the largest North American conference for writers, writing programs, publishers, literary journals, and other related vendors. Over 14,000 writers are expected to visit Portland. And we are pleased to be the host for a number of great events — check them out below. If Facebook event links are available, we’ve linked them to the event titles.

Wed Mar 27

8:30-11:00 pm Team Mashallah Reading

Featuring: Hanif Abdurraqib, Kaveh Akbar, Fatimah Asghar, Safia Elhillo, Angel Nafis

Hanif Abdurraqib is a poet, essayist, and cultural critic from Columbus, Ohio. His first full length poetry collection, The Crown Ain't Worth Much, was released in June 2016 from Button Poetry. With Big Lucks, he released a limited edition chapbook, Vintage Sadness, in summer 2017. His first collection of essays, They Can't Kill Us Until They Kill Us, was released in winter 2017 by Two Dollar Radio. His next books are Go Ahead In The Rain, a biography of A Tribe Called Quest due out in 2019 by University of Texas Press, and They Don't Dance No' Mo', due out in 2020 by Random House. Yes, he would like to talk to you about your favorite bands and your favorite sneakers.

Kaveh Akbar’s poems appear recently in The New Yorker, Poetry, The New York Times, The Nation, Tin House, Best American Poetry, The New Republic, The Guardian, Ploughshares, PBS NewsHour, American Poetry Review, The Poetry Review, and elsewhere. His debut full-length collection, Calling a Wolf a Wolf, is just out with Alice James in the US and Penguin in the UK, and his chapbook, Portrait of the Alcoholic, was published by Sibling Rivalry Press.

Fatimah Asghar is a nationally touring poet, screenwriter, educator and performer.  She is a member of the Dark Noise Collective and a Kundiman Fellow. Her chapbook After came out on Yes Yes Books fall 2015. She is the writer and co-creator of Brown Girls, an Emmy-Nominated web series that highlights friendships between women of color. In 2017 she was awarded the Ruth Lily and Dorothy Sargent Rosenberg Fellowship from the Poetry Foundation and was featured on the Forbes’ 30 Under 30 list. Her debut book of poems, If They Come For Us, was released One World/ Random House, August 2018.

Safia Elhillo is the author of The January Children (University of Nebraska Press, 2017), recipient of the 2016 Sillerman First Book Prize for African Poets and a 2018 Arab American Book Award. Sudanese by way of Washington, DC, she holds a BA from NYU’s Gallatin School of Individualized Study and an MFA in poetry from the New School. Safia is a Pushcart Prize nominee, receiving a special mention for the 2016 Pushcart Prize. She was co-winner of the 2015 Brunel International African Poetry Prize, and listed in Forbes Africa’s 2018 “30 Under 30.” Her fellowships and residencies include Cave Canem, The Conversation, SPACE on Ryder Farm, and a 2018 Ruth Lilly and Dorothy Sargent Rosenberg fellowship from The Poetry Foundation. With Fatimah Asghar, she is co-editor of the anthology Halal If You Hear Me (Haymarket Books, 2019).

Angel Nafis is the author of BlackGirl Mansion (Red Beard Press/ New School Poetics, 2012). She earned her BA at Hunter College and is an MFA candidate in poetry at Warren Wilson College. Her work has appeared in The BreakBeat Poets Anthology, The Rumpus, Poetry Magazine, Buzzfeed Reader and elsewhere. Nafis is a Cave Canem fellow, the recipient of a Millay Colony residency, an Urban Word NYC mentor, and the founder and curator of the Greenlight Bookstore Poetry Salon.Facilitating writing workshops and reading poems globally, she lives in Brooklyn. In 2016, Nafis was a recipient of the Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation and in 2017 she was awarded a Creative Writing fellowship from the National Endowment for the Arts.

Fri Mar 29

6:00-8:00 pm Coastlines & Crossroads (APANO)

Featuring: Alyssa Ogi, Ami Patel, Taz Ahmed, Traci Kato-Kiriyama

What happens as we move back, forth, across, up, down, backwards, and sometimes sideways along the West Coast? Longtime friends and cultural organizers Candace Kita (Portland) and Traci Kato-Kiriyama (Los Angeles) host this unique offsite AWP reading on the states of movement between Portland, Los Angeles, and everywhere in between.

Join us for a reading bridging PDX and LA, snacks suited for PNW and SoCal tastes, generative writing opportunities, and maybe even a little insight on planetary movement (also known as astrological insights from Candace). This event is co-sponsored by APANO, the Asian Pacific American Network of Oregon

Alyssa Ogi writes and teaches in Portland, OR. She received her MFA from the University of Oregon, and her recent poetry can be found in Best New Poets 2017, Crab Orchard Review, and other journals.

Ami Patel is a poet currently based in Portland, Oregon. She has read at Unchaste and the Whitenoise Project. Ami is a two-time VONA fellow and her work is published in the Unchaste Anthology Volume 2 and in the upcoming Madwoman Etc zine.

Taz Ahmed is an activist, storyteller, and politico based in Los Angeles. An essayist, poet and now podcaster, her writing developed around creating a counter narrative for the communities that she belonged to, whether youth, Muslim, South Asian or counterculture. She can be heard monthly on The #GoodMuslimBadMuslim Podcast and can be read monthly in her Radical Love column at loveinshallah.com. 

Traci Kato-Kiriyama is a multi-disciplinary artist, writer/author, actor, arts educator & community organizer.  Since 1996, she has performed and written for theatre tours, productions, artist residencies, and performance collaborations in hundreds of venues throughout the country.

8:30-10:30 pm Asian American Poets Present New Books (Kundiman)

Featuring: George Abraham, Jason Bayani, Ching-In Chen, Shamala Gallagher, Vanessa Huang, Sally Wen Mao

Join Kundiman off-site at AWP 2019 as six fellows read from newly released books and chapbooks.

George Abraham (they/he) is a Palestinian-American poet and Bioengineering PhD candidate at Harvard University. They are the author of Birthright (Button Poetry, 2020), as well as two chapbooks: the specimen's apology (Sibling Rivalry Press, 2019) and al youm (TAR, 2017). He is a Kundiman, Watering Hole, and Poetry Incubator fellow, winner of the 2018 Cosmonauts Avenue Poetry Prize, and recipient of the Best Poet title from the College Union Poetry Slam International. Their writing has appeared or is forthcoming with The Paris Review, Tin House, The American Poetry Review, LitHub, Boston Review, and in anthologies such as Bettering American Poetry and Nepantla.

Jason Bayani is the author of Amulet (Write Bloody Publishing, 2013). He's an MFA graduate from Saint Mary's College, a Kundiman fellow, and works as the Artistic Director for Kearny Street Workshop. Jason performs regularly around the country and debuted his solo theater show "Locus of Control" in 2016. His second book Locus is forthcoming from Omnidawn Publishing in Spring 2019.

Ching-In Chen is author of The Heart's Traffic and recombinant (2018 winner of the Lambda Literary Award for Transgender Poetry). Chen is co-editor of The Revolution Starts at Home: Confronting Intimate Violence Within Activist Communities and Here Is a Pen: an Anthology of West Coast Kundiman Poets.

Shamala Gallagher is an Indian/Irish American poet and essayist whose first book is Late Morning When the World Burns (The Cultural Society, 2019). She is also the author of a chapbook, I Learned the Language of Barbs and Sparks No One Spoke (Dancing Girl Press, 2015), and her writing has appeared in Poetry, The Rumpus, The Offing, Gulf Coast, Black Warrior Review, and elsewhere.

Born in Berkeley and home in diaspora from California and Taipei to Atlanta, New York, and Tianjin, Vanessa Huang is a multimedia poet, artist, and cultural worker whose practice inherits teachings from the prison industrial complex abolition, gender liberation, and intersecting social justice movements. For over 15 years, Vanessa has worked to shift cultural narratives and strategies based in fear, violence, and exploitation towards realities centering love, vision, and transformation. quiet of chorus (UpSet Press 2018) is Vanessa’s debut poetry collection.

Sally Wen Mao is the author of Oculus (Graywolf Press, 2019) and Mad Honey Symposium (Alice James Books, 2014). She has won a Pushcart Prize and a fellowship at the New York Public Library Cullman Center for Scholars and Writers.

Sat Mar 30

4:30-7:30 pm Meet Las Musas
Featuring: Aida Salazar, Yamile Saied Méndez, Anna Meriano, Ann Dávila Cardinal, Michelle Ruiz Keil

Las Musas is a collective of over twenty debut and sophomore Latinx young adult and middle-grade authors. Come and learn more about our work together and hear five of our fabulous members read from their current or forthcoming books at the lovely De-canon library at Milepost 5. www.lasmusasbooks.com

Aida Salazar is a writer, arts advocate and home-schooling mother whose writings for adults and children explore issues of identity and social justice. She is the author of the forthcoming middle grade verse novels, The Moon Within (Feb.26, 2019), The Land of the Cranes (Spring, 2020), the forthcoming bio picture book Jovita Wore Pants: The Story of a Revolutionary Fighter (Fall, 2020). All books published by Arthur A. Levine Books / Scholastic. Her story, By the Light of the Moon, was adapted into a ballet production by the Sonoma Conservatory of Dance and is the first Xicana-themed ballet in history. She lives with her family of artists in a teal house in Oakland, CA.

Yamile Saied Méndez is a fútbol-obsessed Argentine-American who loves meteor showers, summer, astrology, and pizza. She lives in Utah with her Puerto Rican husband and their five kids, two adorable dogs, and one majestic cat. An inaugural Walter Dean Myers Grant recipient, she’s also a graduate of Voices of Our Nations (VONA) and the Vermont College of Fine Arts MFA Writing for Children’s and Young Adult program. She’s a PB, MG, and YA author. Yamile is also part of Las Musas, the first collective of women and nonbinary Latinx MG and YA authors. She’s represented by Linda Camacho at Gallt & Zacker Literary.

Anna Meriano grew up in Houston with an older brother and a younger brother and a large but close-knit network of aunts, uncles, and cousins spreading across the state of Texas. I graduated from Rice University with a degree in English, and earned my MFA in creative writing with an emphasis in writing for children from the New School in New York. There I was lucky to meet CAKE Literary founders Dhonielle Clayton and Sona Charaipotra, who started me on the Love Sugar Magic journey. author of the Love Sugar Magic series.

Ann Dávila Cardinal is a novelist and Director of Recruitment for Vermont College of Fine Arts (VCFA). She has a B.A. in Latino Studies from Norwich University, an M.A. in sociology from UI&U and an MFA in Writing from VCFA. She also helped create VCFA’s winter Writing residency in Puerto Rico. Ann’s first novel, Sister Chicas was released from New American Library in 2006. Her next novel, a horror YA work titled Five Midnights, will be released by Tor Teen in June 2019.

Michelle Ruiz Keil is an author and playwright with an eye for the enchanted and a way with animals. Her first book is All of Us With Wings, a magic-infused coming of age story set in post-punk San Francisco, coming June 18th, 2019 from Soho Teen.

← POC Mentorship: Graduate Faculty of Color (Canada)De-Canon: A Celebration of Our Summer Events & A Look Forward →

  • 2024
    • Aug 25, 2024 A Mouth Holds Many Things - Book Release + Exhibition :: Summer 2024
  • 2022
    • Aug 8, 2022 An Interview with Janice Lee :: On Separation Anxiety
    • Jul 13, 2022 An Interview with Emilly Prado
    • Jun 16, 2022 Fatherhood, Fathers & Fathering
    • Jun 4, 2022 Celebrating the LGBTQ community
    • May 28, 2022 AAPI HERITAGE Month: Poetry
    • May 27, 2022 Intersectional Feminism Through the Words of AAPI Writers
    • May 23, 2022 Asian American Pacific Islander Books Published by PNW Presses
    • May 12, 2022 Motherhood, Mothering, and Mothers
  • 2021
    • Sep 30, 2021 De-Canon + Fonograf Ed. Hybrid-Lit Anthology :: Call for Submissions
  • 2020
    • Nov 17, 2020 POC Mentorship: Graduate Faculty of Color (Canada)
  • 2019
    • Mar 16, 2019 AWP 2019 Offsite Events at De-Canon
  • 2018
    • Sep 12, 2018 De-Canon: A Celebration of Our Summer Events & A Look Forward
    • Aug 23, 2018 De-Canon: A Visibility Project :: Summer 2018 @ Milepost 5
    • Apr 14, 2018 De-Canon Summer Residency Begins in May
    • Mar 29, 2018 Inventory Updates: Recent Acquisitions
    • Mar 21, 2018 On Diaspora & Culture As Plurality: A Conversation With Viet Thanh Nguyen
    • Mar 6, 2018 Some Notes for AWP 2018
    • Mar 2, 2018 Owning the Means of Production, Part 2: POC-Edited Literary Journals
    • Feb 22, 2018 Owning the Means of Production, Part 1: POC-run Presses
    • Feb 7, 2018 Upcoming Poetry Book Prize Contests for POC Writers
    • Feb 2, 2018 POC Writers and Their Libraries
    • Jan 31, 2018 Mimi Mondal's "A Brief History of South Asian Speculative Fiction, Part I"
    • Jan 26, 2018 A Library of One's Own
    • Jan 17, 2018 "Cutting Through Linearity": A Poetics Workshop with Hoa Nguyen
    • Jan 12, 2018 POC Mentorship: Finding A Guide in the Wilderness
  • 2017
    • Nov 20, 2017 De-canon Profile on :: INTERSECTFEST / Dec 8-10, 2017 :: A Q&A with Organizer Anna Vo
    • Nov 10, 2017 De-Canonizing: "Vietnam" is A 7-Letter Word
    • Oct 20, 2017 Interview with Phillip B. Williams
    • Oct 20, 2017 August 2017 Exhibit: A Book List Snapshot
    • Sep 20, 2017 THOUGHTS FROM A SUMMER EXHIBIT :: DE-CANON AT UNA / AUG 2017
    • Jul 1, 2017 Neil Aitken Discusses De-Canon and POC Faculty with AWP's The Writer's Notebook
    • Jun 29, 2017 'at the tender table, yes' :: A Reading/Event Series for Stories About Food
    • Jun 19, 2017 Book Donations from Wave Poetry - Nguyen, Jess, Choi & More
    • Jun 14, 2017 POC Mentorship: Graduate Faculty Writers of Color - Part 3/3 (Texas to Wyoming)
    • Jun 12, 2017 POC Mentorship: Graduate Faculty Writers of Color - Part 2/3 (Montana - Tennessee)
    • Jun 9, 2017 POC Mentorship: Graduate Faculty Writers of Color - Part 1/3 (Alabama - Missouri)
    • Jun 4, 2017 De-Canon @ UNA Gallery - Three Poets In Conversation (LIVING CANON 2) : An Exhibit & "Library" Preview
    • May 13, 2017 POC Mentorship & Community- On Seeking and Not Finding
    • May 9, 2017 On Erasure: Quotes from Robin Coste Lewis's Lecture 'The Race Within Erasure'
    • May 5, 2017 Writers of Color Discussing Craft - An Invisible Archive
    • May 3, 2017 First Book Donations to De-Canon Popup Library
    • Apr 22, 2017 Living Canon Talk 1: Samiya Bashir & Neil Aitken, with moderator Zahir Janmohamed
    • Apr 21, 2017 Dao Strom Discusses De-Canon with The Portland Mercury

MORE POSTS

Latest Posts
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Aug 25, 2024
A Mouth Holds Many Things - Book Release + Exhibition :: Summer 2024
Aug 25, 2024
Read More →
Aug 25, 2024
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Aug 8, 2022
An Interview with Janice Lee :: On Separation Anxiety
Aug 8, 2022

Janice Lee is a Korean-American writer, educator, and healer. She has written books in nearly all genres including fiction, creative nonfiction, and most recently poetry. Janice Lee’s most recent book of poems, Separation Anxiety, guides us through grief and healing in communication with nature, humans, animals, and the afterlife. Separation Anxiety gathers bits of humor, sadness, and hope through its movement of form. While reading Separation Anxiety, I was carefully placed in the cycle of healing and emotional hues shined onto me from page to page.

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Aug 8, 2022
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Jul 13, 2022
An Interview with Emilly Prado
Jul 13, 2022

I think that all of the work that I do shares the thread of community in some way, whether it's event planning, or writing, or DJing. I think that at the heart of my work is connection. Ultimately, no matter what I'm doing, whether it's teaching or even helping a nonprofit with their communications—that is all a form of connection. With my writing, specifically thinking about my younger self who wished to read something that would be more reflective of her experience….

Read More →
Jul 13, 2022
Fatherhood, Fathers & Fathering
Jun 16, 2022
Fatherhood, Fathers & Fathering
Jun 16, 2022

by: Sam Rivas, Contributor & Guest Author

De-Canon Project features poems on Fathers, Fathering, and Fatherhood. Each poem demonstrates the complexities of masculinity and how it can either be rigid or softened in the role as a father. As someone who has my own complicated yet beautiful relationship with my father, I found the poem “Coniferous Fathers” by Michael Kleber-Diggsss to be relatable. Anytime I get a chance to see my father or any father fall out of the toxic masculinity cycle, I feel comforted by their letting go so they can love us softly. Happy Father’s Day to all of the newly loving fathers out there!

Read More →
Jun 16, 2022
Celebrating the LGBTQ community
Jun 4, 2022
Celebrating the LGBTQ community
Jun 4, 2022

by: Sam Rivas, Contributor & Guest Author

@decanonproject features books by LGBTQ Writers of Color which bring intersectional communities together.

Happy Pride Month!

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Ocean Vuong, Night Sky with Exit Wounds

Carmen Maria Machado, In the Dream House : A Memoir

Natalie Diaz, Postcolonial Love Song

#pridemonth #lgbtqwriters #lgbtqcommunity #lgbtqpoets #creativewriting

Read More →
Jun 4, 2022
AAPI HERITAGE Month: Poetry
May 28, 2022
AAPI HERITAGE Month: Poetry
May 28, 2022

De-Canon Project continues to celebrate AAPI writers’ poetry & art!

.

Engine Empire poems By Cathy Park Hong

“Though once I was so decent from such humble backgrounds

my ma bit her arm to feed us brothers three.

Am I cursed? I drink the myrrh her life who forced me alive.

History intones catch up, catch up while a number rots, then another.”

— “Seed Seller's Sonnet” (61)

Read More →
May 28, 2022
Intersectional Feminism Through the Words of AAPI Writers
May 27, 2022
Intersectional Feminism Through the Words of AAPI Writers
May 27, 2022

Asian American Pacific Islander writers whose books have conversations with one another on the theme of intersectional feminism and womanhood.

A Bestiary by Lily Hoang

“To prove our renowned endurance of pain, Vietnamese women

adorn their wrists with jade bracelets. In order to get the damn thing

on, one must distort the hand, almost breaking it. I have yellow

bruises for days, and yet: this is proof of our delicacy: how well we

take that agony and internalize it. The tighter the fit, the more suf-

fering the woman can persevere, the more beautiful she is considered.”

—“on the RAT RACE” (18)

Read More →
May 27, 2022
Asian American Pacific Islander Books Published by PNW Presses
May 23, 2022
Asian American Pacific Islander Books Published by PNW Presses
May 23, 2022

De-Canon celebrates Asian American Pacific Islander writers, zooming in on Pacific Northwest published poetry. These collections share elements of identity—history, grief, and family.

Portuguese by Brandon Shimoda @brandon_shimoda (Octopus Books & Tin House Books) @octopusbookspoetry

“Every child I see I say to myself / is that how my child will look? I look/ For parents to extrapolate against, see only/ Myself on the opposite shore” (8, The Grave on the Wall)

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Read More →
May 23, 2022
Motherhood, Mothering, and Mothers
May 12, 2022
Motherhood, Mothering, and Mothers
May 12, 2022

by: Sam Rivas, Contributor & Guest Author

De-Canon contemplates the complexities of things we might think about on Mother’s Day, highlighting a few books by women writers of color on motherhood, mothering, mothers, and inheritance. Below are my favorite glimpses of The Breaks by Julietta Singh, Guidebook to Relative Strangers: Journeys into Race, Motherhood, and History by Camille T. Dungy, and Bring Down the Little Birds by Carmen Giménez Smith.

Being a daughter to a mother who is 843 miles away, has reminded me of my newborn self—calling every hour and crying to be fed words of reassurance. I am pregnant for the first time and each of these books feels like a Bible designed to understand mothers. They are gems of wisdom holding space in a world that typically focuses on the ugly of motherhood.

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May 12, 2022
De-Canon + Fonograf Ed. Hybrid-Lit Anthology :: Call for Submissions
Sep 30, 2021
De-Canon + Fonograf Ed. Hybrid-Lit Anthology :: Call for Submissions
Sep 30, 2021

De-Canon resumes its mission of “de-canonizing” by teaming up with Fonograf Editions to publish an anthology of hybrid-literary works by women and nonbinary BIPOC writers. This anthology will explore multimodal forms of writing that navigate the restless intersections of writing, visual art, and other media, and that innovate in their contemplations - and complications - of language and form. In this anthology we wish to investigate how and why the hybrid space resonates as it does, notably for BIPOC women and nonbinary writers, who may use such modes to elasticize and elude definitions, defy and blur boundaries, and thus reimagine paradigmatic possibilities. Submissions are open from October 1, 2021 to January 31, 2022.

Read More →
Sep 30, 2021
POC Mentorship: Graduate Faculty of Color (Canada)
Nov 17, 2020
POC Mentorship: Graduate Faculty of Color (Canada)
Nov 17, 2020

Back in 2017, I conducted a survey of all the graduate creative writing programs in the United States with the goal of identifying which programs had permanent full-time faculty of color teaching creative writing. That series of posts sparked a much larger discussion about faculty recruiting and hiring practices […]

Since moving back to Canada in 2019, I’ve been curious as to how things looked in my own country, and so decided to repeat this study, but this time focusing on Canadian universities that offer MFAs in Creative Writing as well as MA or Ph.D. English degrees with Creative Writing thesis options.

Read More →
Nov 17, 2020
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Mar 16, 2019
AWP 2019 Offsite Events at De-Canon
Mar 16, 2019

We are thrilled to be hosting a number of terrific readings and events at De-Canon during the last week of March as part of the offsite event offerings for AWP 2019 (Association of Writers & Writing Programs), the largest North American conference for writers, writing programs, publishers, literary journals, and other related vendors. Over 14,000 writers are expected to visit Portland. And we are pleased to be the host for a number of great events — check them out below. If Facebook event links are available, we’ve linked them to the event titles.

Read More →
Mar 16, 2019
De-Canon_2018-05-12-A.jpg
Sep 12, 2018
De-Canon: A Celebration of Our Summer Events & A Look Forward
Sep 12, 2018

Our stay at Mile Post 5 has been a phenomenal experience. We have enjoyed having a large space to ourselves in which we’ve been able to not only exhibit the entire (and continually expanding) collection of books, but create a space where we’ve hosted readings, offered writing workshops, provided room for meetings, and enabled writers and artists of color to interact with each other, as well as the local community. Here’s an overview of what' we’ve done this summer.

Read More →
Sep 12, 2018
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Aug 23, 2018
De-Canon: A Visibility Project :: Summer 2018 @ Milepost 5
Aug 23, 2018

Summer is dwindling, the air is forest-fire smoke-hazy, the country's news cycle continues to exhaust and infuriate, and we here continue to believe in the (both) urgent and timeless need for books, art, reading, poetry, sharing, and for representation, and spaces that allow us respite - yet through continuing and thoughtful engagement - from/with the chaotic rest of the world. As I write this now, it is an August afternoon and I am sitting in the quiet of our library…

Read More →
Aug 23, 2018
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Apr 14, 2018
De-Canon Summer Residency Begins in May
Apr 14, 2018

Thanks to the generosity of Artists Milepost, we'll be in residency there from mid May to late July. Our opening event will be on May 12 at 6pm. Through these three months, the exhibit space will be open as a reading library, workspace, and venue for 4 days a week, with the occasional weekend events.  We are expanding our archive and hope to have over 500 books available for visitors to read.

Read More →
Apr 14, 2018
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Mar 29, 2018
Inventory Updates: Recent Acquisitions
Mar 29, 2018

It's been a busy few weeks since AWP, but we wanted to share some of the books we brought back to add to De-Canon's growing archive, as well as books we recently received as donations.

Read More →
Mar 29, 2018
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Mar 21, 2018
On Diaspora & Culture As Plurality: A Conversation With Viet Thanh Nguyen
Mar 21, 2018

This is a conversation interview conducted by Dao Strom, new editor of diaCRITICS, with Viet Thanh Nguyen, author, founder and publisher of diaCRITICS. Read more about what Nguyen has to say about diaspora, identity, and the unique "double burden" of making art as a "minority" person amid or between "majority" cultures.

...I’m of the belief that anything a Vietnamese artist does is inherently Vietnamese, but is also something else–that it can be and should be universal too. The challenge for us is that, as minorities, we always labor under the double burden of our specificity while attempting to prove our universality.

Read More →
Mar 21, 2018
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Mar 6, 2018
Some Notes for AWP 2018
Mar 6, 2018

Although De-Canon does not have a formal presence at AWP this year (that is, we didn't invest in a table), we will still have a presence of sorts. If you'd like to chat about the project, discuss past or future post topics for the blog, or want to learn more about how to have your own books included in the archive, stop by Table 1136 in the bookfair to find Neil who is representing Boxcar Poetry Review & Have Book Will Travel.

Read More →
Mar 6, 2018
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Mar 2, 2018
Owning the Means of Production, Part 2: POC-Edited Literary Journals
Mar 2, 2018

In this post, we survey the landscape of literary journals and provide a listing of currently operating journals which are helmed by POC editors.  In total, we found __ literary journals whose mastheads list a writer of color as their editor-in-chief. Many also feature additional associate editors and staff members who are also POC. Some of these journals have been around since the 70s, but many are newer online journals, having come into existence in the last 5 years. 

Read More →
Mar 2, 2018
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Feb 22, 2018
Owning the Means of Production, Part 1: POC-run Presses
Feb 22, 2018

If we hope to truly challenge or reimagine literary canon, it is not enough to consider the academic programs where young writers are taught and trained. We must look beyond the classroom and the professoriate, past endless reams of syllabi making and remaking what constitutes canon, and consider the practical matter of how these texts enter the field in the first place.  In this post, we present a list of POC-helmed presses that are currently in operation.

Read More →
Feb 22, 2018
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Feb 7, 2018
Upcoming Poetry Book Prize Contests for POC Writers
Feb 7, 2018

Although the field of literary publishing is still primarily populated by white editors and publishers, there are some POC-owned and directed publishers and a number of new and well-established poetry book prizes that are judged by respected POC authors and which seek to champion work of writers from particular communities of color. If you're a POC poet with a book manuscript in need of a home, here's a list of upcoming contests you might want to try

Read More →
Feb 7, 2018
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Feb 2, 2018
POC Writers and Their Libraries
Feb 2, 2018

Over the past week and a half, we've been gathering images of POC writers and their libraries, as well as asking readers and writers of color to contribute their thoughts on the importance of building a personal library and how books by other POC writers have impacted their lives.

This post showcases responses from and glimpses into the libraries of Kazim Ali, Francisco  Aragón, Jackson Bliss, Genève Chao, Shu-Ling Chua, Oliver de la Paz, M. Evelina Galang, Nathania Gilson, Jenna Le, Gemma Mahadeo, Meera (@ashmeera101), and Brian W. Parker. 

Read More →
Feb 2, 2018
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Jan 31, 2018
Mimi Mondal's "A Brief History of South Asian Speculative Fiction, Part I"
Jan 31, 2018

On the radar -- Mimi Mondal explores the history of South Asian speculative fiction for science fiction and fantasy publishing blog, Tor.

Read More →
Jan 31, 2018
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Jan 26, 2018
A Library of One's Own
Jan 26, 2018

It's hard to explain exactly why having a personal library is so valuable -- and why it is particularly valuable to a person of color (writer or reader) to build a library for oneself.  Here are a few ways of thinking about the value and purpose of a personal library -- and what it can enable in ourselves.

Read More →
Jan 26, 2018