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"The history of English is inextricably tied to the history of war, to the history of empire; they cannot be separated. And hence our literature cannot be separated from these histories. Language is one of the most powerful weapons of war. It is also one of the war's first victims."  

---Robin Coste Lewis @ Portland Arts & Lectures, on 4.20.16

decanonshelves_banner_experiment.jpg
Left: US Poet Laureate Juan Felipe Herrera. Right: Chen Chen, author of When I Grow Up I Want to Be a List of Further Possibilities, and PhD candidate at Texas Tech.

Left: US Poet Laureate Juan Felipe Herrera. Right: Chen Chen, author of When I Grow Up I Want to Be a List of Further Possibilities, and PhD candidate at Texas Tech.

POC Mentorship: Graduate Faculty Writers of Color - Part 1/3 (Alabama - Missouri)

June 9, 2017

Skip to Part 2 || Skip to Part 3

INTRODUCTION

A few weeks ago I wrote on the importance of mentorship, especially how finding a mentor of color can be a deeply rewarding and invigorating thing as a writer of color.  In many respects, I felt I'd only scraped the surface -- and I also felt that while I'd been quite fortunate in my experiences, that many other writers of color have not fared so well. I think a big challenge for many writers considering an MFA or a PhD is trying to figure out where to go and who to study with. Often a young writer of color does not have easy access to information about programs or faculty who might be a good fit.  Given the sheer number of possible programs, finding potential faculty mentors of color can be exhausting and discouraging. 

In an effort to remedy this in some small way, I've spent the last few weeks researching graduate creative writing programs, trying to build a snapshot of who is teaching where, and what genres are being covered in different programs. I'd hoped to finish up sooner, but it's turned into a rather expansive project. Due to the amount of information, I've broken this post into two parts.  This first post lists faculty of color in graduate creative writing programs in the first 25 states (Alabama to Missouri).  Additional posts (which I'm still working on) will cover faculty of color in programs located in the remainder of the states (Montana to Wyoming).  

METHODOLOGY

  1. For the sake of this project, I've examined mostly MFA and PhD programs, but have also included MA programs where there is a creative writing option.

  2. In terms of genres, I have focused on creative non-fiction, fiction, and poetry -- but now in hindsight acknowledge that I should have included faculty of color who exclusively teach playwriting, graphic novels, or other less common genres.

  3. Rather than split hairs, I've chosen to lump those who teach primarily YA or children's fiction together with those who teach adult fiction as both being "fiction."

  4. Likewise with those who are listed as teaching "popular fiction" or "speculative/fantasy fiction" -- all fiction for the purposes of this list.

GENERAL OBSERVATIONS

  1. Token faculty / ambassador problem. A number of universities only employ a single faculty writer of color, despite having a large department of creative writers. While having a writer of color on faculty is a start, it's by no means the end. I worry about some programs where that writer seems to be stuck teaching multiple genres (CNF+Poetry, CNF+Fiction, and sometimes all three), while their colleagues teach a single genre. In some cases, this person is fully qualified to teach all genres -- but sometimes it seems like a stretch and an opportunity for the department to invest in more faculty of color.

  2. 2017 hiring boom for faculty of color. I'll be honest, looking over Academic Wikia's listing of new hires for this past round of Creative Writing positions was a pleasant surprise -- there were a lot of writers of color hired to fill full-time tenure track positions, and many at excellent, highly competitive programs. Most of these were hired at the Assistant Professor level. A number aren't listed here because they were hired to teach creative writing in undergraduate programs (and it would have been an even longer list if I had tried to list everyone teaching at the undergraduate level)

  3. Moonlighting. Some writers of color show up as faculty at multiple institutions, primarily because they are teaching not just at their home institution, but also at one or more low residency programs.

  4. Core vs Adjunct/Visiting. Core faculty at most programs is still not very diverse. Often if there is a writer of color present, they are teaching as adjuncts or visiting writers. While this gives the appearance of "diversifying" the department, adjunct and visiting faculty are by their very nature transient. They also lack power to change or shift the department and pedagogy in meaningful ways. If a university wants to do more than pay lip service to supporting their student writers of color, they need to start hiring more full-time permanent faculty of color who can stay, contribute, and build. There are some exceptions -- many of the programs in California and Illinois are leading the way.

  5. YA Lit vs Fiction. One thing I've noticed is that in some programs the only faculty writers of color are writers of YA or teen fiction (and are labeled as such, rather than fiction). It's a small thing, but it does seem to marginalize these writers. It'd be an easy fix to list them both as Fiction and Young Adult. Or just call them Fiction writers and in their bios describe their publications.

  6. Text vs photo faculty listings. I really appreciated the departments which made it easy to look over their faculty lists. Just having a photo for each faculty member makes a big difference both in assessing the friendliness and professionalism of the program (good clear high-res photos of faculty do a lot to make a positive impression). It also saved me time if I could look over the faculty directory and see who might be a writer of color (I still did a lot of profile reading and Googling to confirm when in doubt).

  7. Mentor deserts. Certain states have 0 faculty of color present:

    • Alaska (now that Sean Hill has been hired away to Southern Georgia University)

    • Delaware (no MFA programs in that state)

    • Idaho

    • Kansas (Darren Canady teaches playwriting at University of Kansas)

    • Louisiana

    • North Dakota

    • West Virginia

    • Wyoming

DISCLAIMER

I have done my best to be thorough, but it's likely that I've missed a few people here and there, perhaps even entire programs.  I apologize in advance and hope you'll let me know who I'm missing.  In choosing to focus on full-time faculty, I am omitting some programs that rely heavily on adjunct and part-time faculty of color to fill their gaps. I'm also passing over a number of strong creative writing undergraduate programs -- regrettably beyond the scope of this current set of posts.  Please feel free to correct me or offer additional suggestions. 

 


ALABAMA

  • Auburn University (MA)

    • Rajiv Mohabir (Poetry)

  • University of Alabama (MFA)

    • L. Lamar Wilson (Poetry)

  • University of North Alabama (MA)

    • Daryl Brown (CNF, Fiction, Poetry)

ALASKA

ARIZONA

  • Arizona State University (MFA)

    • Natalie Diaz (Poetry)

    • Jewell Parker Rhodes (Fiction)

    • Alberto Rios (Poetry)

    • Laura Tohe (Fiction, Poetry)

  • University of Arizona (MFA)

    • Julie Iromuanya (Fiction)

    • Farid Matuk (Poetry

    • Manuel Muñoz (Fiction)

  • Wilkes University-Mesa (MA/MFA) - low residency

    • Marlon James (Fiction)

    • Rashidah Ismaili Abubakr (Poetry)

    • Laurie Jean Cannady (CNF)

ARKANSAS

  • University of Arkansas (MFA)

    • Geffrey Davis (Poetry)

    • Padma Viswanathan (Fiction)

  • University of Arkansas-Monticello (MFA) - low residency

    • Melinda Palacio (Fiction, Poetry)

  • University of Central Arkansas (MFA)

    •  M. Shelly Connor (Fiction, Playwriting, Screenwriting)

CALIFORNIA

  • Antioch University LA (MFA) - low residency

    • Tananarive Due (Fiction)

    • Richard Garcia (Poetry)

    • Lynell George (CNF)

    • Erin Aubrey Kaplan (CNF)

    • Gary Phillips (Fiction)

    • Alma Luz Villanueva (Fiction)

    • Past Guest Faculty:

      • Jimmy Santiago Baca (CNF, Fiction, Poetry)

      • Natasha Deon (Fiction)

      • Roxane Gay (CNF, Fiction)

      • Michael Jaime-Becerra (Fiction)

      • Robin Coste Lewis (Poetry)

      • Fred Moten (CNF, Poetry)

      • Daniel Jose Older (Fiction)

      • Nina Revoyr (Fiction)

      • Vu Tran (Fiction)

  • CalArts (MFA)

    • Tisa Bryant (CNF, Fiction)

    • Douglas Kearney (Poetry)

  • California College of the Arts (MFA)

    • Juvenal Acosta (Fiction)

    • Faith Adiele (CNF)

    • Opal Palmer Adisa (Fiction, Poetry)

    • Aimee Phan (Fiction)

    • Tonya M. Foster (Poetry)

    • Al Young (CNF, Fiction, Poetry)

    • Adjuncts include:

      • Anita Amirrezvani (Fiction)

      • Shanthi Sekaran (Fiction)

      • Jasmin Darznik (CNF)

  • Chapman University (MFA)

    • Alicia Kozameh (Fiction)

    • Adjuncts include:

      • Victoria Chang (Poetry)

  • Mills College (MFA)

    • Elmaz Abinader (CNF, Fiction, Poetry)

    • Patricia Powell (CNF, Fiction)

    • Truong Tran (Poetry)

    • Visiting faculty:

      • Susan Ito (CNF, Fiction)

  • Saint Mary's College of California (MFA)

    • Lysley Tenorio (Fiction)

    • Recent visiting faculty:

      • Natalie Baszile (Fiction)

      • Cristina García (CNF, Fiction)

      • Brynn Saito (Poetry)

      • Shanthi Sekaran (CNF)

      • Cedar Sigo (Poetry)

      • Arisa White (Poetry)

  • San Diego State University (MFA)

    • Marilyn Chin (Poetry) - not currently listed on dept site, but has been teaching here.

  • San Jose State University (MFA)

    • Keenan Norris (Fiction)

  • UCLA (English Dept)

    • Harryette Mullen (Poetry)

    • Namrata Poddar (CNF, Fiction)

    • Justin Torres (Fiction)

  • UC Riverside (MFA)

    • Reza Aslan (CNF)

    • Charmaine Craig (Fiction)

    • Allison Hedge Coke (Poetry)

    • Alex Espinoza (Fiction)

    • Kimberly Norris Guerrero (Playwriting)

    • Rickerby Hines (Scriptwriting)

    • Nalo Hopkinson (Fiction)

    • Michael Jayme / Michael Jaime-Beccera (Fiction)

    • John Jennings (CNF)

    • Laila Lalami (Fiction)

    • Emeritus Professors :

      • Juan Felipe Herrera, Tomas Rivera Endowed Professor Emeritus

    • Lecturers:

      • Sara Borjas

      • Rachelle Cruz

    • Notes: a long history of students attending Kundiman.

  • UC Riverside - Palm Desert (MFA) - low residency

    • Stephen Graham Jones (Fiction)

    • Mary Yukari Waters (Fiction)

  • UC San Diego (MFA)

    • Camille F. Forbes (CNF, Fiction)

    • Lily Hoang (Fiction)

    • Brandom Som (Poetry)

  • University of San Francisco (MFA)

    • Bich M Nguyen (CNF, Fiction)

    • Laleh Khadivi (Fiction)

    • Adjuncts: Brynn Saito (Poetry)

  • University of Southern California (PhD)

    • Percival Everett (Fiction)

    • Dana Johnson (Fiction)

    • Robin Coste Lewis (Poetry)

    • Viet Thanh Nguyen (CNF, Fiction)

    • Danzy Senna (Fiction)

    • David Treuer (CNF)

COLORADO

  • Colorado State University (MA/MFA)

    • Camille Dungy (Poetry) - in the MFA program

    • Harrison Candelaria Fletcher (CNF) - in the MA program

  • Naropa University (MFA)

    • Michelle Naka Pierce (Poetry)

    • Christopher David Rosales (Fiction)

    • Recent Visiting Faculty for Summer Writing Program:

      • Roger Reeves

      • Layli Long Soldier

      • Khadijah Queen

      • Renee Gladman

      • Fred Moten

      • J. Michael Martinez

      • Sherwin Bitsui

      • Cedar Sigo

      • Will Alexander

      • Simone White

      • Tisa Bryant

      • M. NourbeSe Philip

      • Julie Patton

      • Janice Lowe

      • Roberto Tejada

      • Ruth Ellen Kocher

      • Orlando White

      • Rosa Alcalá

      • Samuel Delany

      • Kazim Ali

      • Samiya Bashir

      • Omar Berrada

      • C. S. Giscombe

      • Tonya Foster

      • Christopher Steakhouse

      • Azareen Van Der Vliet Oloomi

      • Serena Chopra

      • Julia Seko

      • LaTasha N. Nevada Diggs

      • Dorothy Wang

      • Ronaldo Wilson

  • Regis University (MFA) - low residency

    • Mario Acevedo (Fiction, Graphic Novel)

    • Traci L. Jones (Fiction)

    • J. Michael Martinez (Poetry)

    • Daniel José Older (Fiction)

    • Khadijah Queen (Poetry)

    • Natalia Sylvester (CNF, Fiction)

    • Sophfronia Scott (CNF, Fiction)

  • University of Colorado-Boulder (MFA, PhD)

    • Marcia Douglas (Fiction, Poetry)

    • Stephen Graham Jones (Fiction)

    • Ruth Ellen Kocher (Poetry)

  • University of Denver (PhD)

    • Maik Nwosu (Fiction)

CONNECTICUT

  • Fairfield University (MFA) - low residency

    • Eugenia Kim (Fiction)

    • Susan Muaddi Darraj ‌(Fiction)

    • Adriana Páramo (CNF)

  • Western Connecticut State University (MFA) - low residency

    • Oscar de los Santos (Fiction)

    • Shouhua Qi (Fiction)

DELAWARE

FLORIDA

  • Florida State University (MFA)

    • Ravi Howard (CNF, Fiction)

    • Virgil Suarez (Fiction, Poetry)

  • University of Central Florida (MFA)

    • Obi Nwakanma (CNF, Fiction, Poetry)

    • Brenda Peynado (Fiction)

    • Cecilia Rodríguez Milanés (Poetry)

  • University of Miami (MFA)

    • Chantel Acevedo (Fiction)

    • Jaswinder Bolina (Poetry)

    • M. Evelina Galang (Fiction)

    • Amina Gautier (Fiction)

  • University of South Florida (MFA)

    • Ira Sukrungruang (CNF, Fiction, Poetry)

  • University of Tampa (MFA)

    • Erica Dawson (Poetry)

GEORGIA

  • Georgia College (MFA)

    • Allen Gee (Fiction)

  • Georgia State University (MFA, PhD)

    • John W. Holman (Fiction)

  • Kennesaw State University (MA)

    • Tony Grooms (Fiction)

    • Ralph Tejeda Wilson (Poetry)

  • Reinhardt University (MFA) - low residency

    • Anjali Enjeti (CNF)

    • Laurence Stacey (Poetry)

  • University of Georgia (MFA)

    • LeAnne Howe (CNF, Fiction, Poetry)

    • Aruni Kashyap (Fiction)

    • Reginald McKnight (Fiction)

HAWAII

  • University of Hawaii - Manoa (MFA)

    • Craig Santos Perez (Poetry)

IDAHO

  • University of Idaho (MFA)

    • Daniel Orozco (Fiction)

ILLINOIS

  • Bradley University (MA)

    • Thomas Palakeel (Fiction)

    • Demetrice Worley (Poetry)

  • Chicago State University (MFA)

    • Kelly Norman Ellis (Poetry)

    • Sandra Jackson-Opoku (Fiction)

    • Quraysh Ali Lansana (Poetry)

    • Nnedi Okorafor (Fiction)

    • Note: MFA program is housed in the Gwendolyn Brooks Center for Black Literature and Creative Writing. Students are taught not just creative writing, but also African American literature and non-African American literature.

  • Columbia College Chicago (MFA)

    • Jenny Boully (Poetry)

    • CM Burroughs (Poetry)

    • Re'Lynn Hansen (CNF)

    • Eric May (CNF, Fiction)

    • Alexis Pride (Fiction)

  • Illinois State University (MA, PhD)

    • Ricardo Cortez Cruz (Fiction)

    • Duriel Harris (Poetry)

  • Northwestern University (MA/MFA) - part-time

    • Chris Abani (Fiction, Poetry)

    • Juan Martinez (Fiction)

    • Naeem Murr (Fiction)

    • Ed Roberson (Poetry)

  • School of the Art Institute of Chicago / SAIC (MFA)

    • Calvin Forbes (Poetry)

    • Visiting faculty:

      • Mai Der Vang (Poetry)

  • Southern Illinois University, Carbondale (MFA)

    • Allison Joseph (Poetry)

  • University of Illinois at Chicago (MA, PhD)

    • Mary Anne Mohanraj (Fiction)

    • Luis Urrea (Fiction, Poetry)

  • University of Illinois at Urbana-Champaign (MFA)

    • Janice Harrington (Poetry)

    • Visiting faculty:

      • Nafissa Thompson-Spires (Fiction)

INDIANA

  • Indiana University - Bloomington (MFA)

    • Ross Gay (Poetry)

    • Adrian Matejka (Poetry)

    • Brando Skyhorse (CNF, Fiction)

    • Samrat Upadhyay (Fiction)

  • Purdue University (MFA)

    • Roxane Gay (Fiction)

    • Brian Leung (Fiction)

    • Visiting faculty:

      • Kaveh Akbar (Poetry)

  • University of Notre Dame (MFA)

    • Orlando Ricardo Menes (Poetry, Translation)

IOWA

  • University of Iowa (MFA)

    • Lan Samantha Chang (Fiction)

    • Ayana Mathis (Fiction)

    • Visiting faculty:

      • V.V. Ganeshananthan (Fiction)

      • Prageeta Sharma (Poetry)

KANSAS

KENTUCKY

  • Murray State University (MFA) - low residency

    • Blas Falconer (Poetry)

    • Gary Jackson (Poetry)

  • Spalding University (MFA) - low residency

    • Deborah Kang Dean (Poetry)

    • Lamar Giles (Fiction)

    • Rachel Harper (Fiction)

    • Jeremy Paden (Translation)

    • Neela Vaswani (Fiction)

    • Rebecca Walker (CNF)

    • Crystal Wilkinson (Fiction)

  • University of Kentucky (MFA)

    • Manuel Gonzales (Fiction)

    • DaMaris Hill (Fiction, Poetry)

    • Frank X. Walker (Poetry)

  • University of Louisville (MA)

    • Kiki Petrosino (Poetry)

    • Notes: The African American Theatre Program is also located here.

LOUISIANA

MAINE

  • University of Southern Maine / Stonecoast (MFA) - low residency

    • Breena Clarke (Fiction)

    • David Anthony Durham (Fiction)

    • Martín Espada (Poetry)

    • Dolen Perkins-Valdez (Fiction)

    • Eléna Rivera (Poetry, Translation)

MARYLAND

  • Johns Hopkins University (MFA)

    • Danielle Evans (Fiction)

    • Visiting faculty:

      • Dinaw Mengestu (Fiction)

  • Morgan State University (MA, PhD)

    • MK Asante (CNF)

  • University of Maryland (MFA)

    • Gabrielle Lucille Fuentes (Fiction)

    • Rion Scott (Fiction)

MASSACHUSETTS

  • Bay Path University (MFA) - online

    • Shahnaz Habib (CNF)

    • Susan Ito (CNF)

  • Boston University (MFA)

    • Ha Jin (Fiction)

    • Sigrid Nunez (Fiction)

  • Emerson College (MFA)

    • Jabari Asim (CNF, Fiction, Poetry)

    • Kimberly McLarin (CNF, Fiction)

    • Jerald Walker (CNF)

    • Mako Yoshikawa (Fiction)

  • Lesley University (MFA) - low residency

    • Rafael Campo (Poetry)

    • Adrian Matejka (Poetry)

    • Kyoko Mori (CNF, Fiction, Poetry)

    • A.J. Verdelle (Fiction)

  • Pine Manor College / Solstice (MFA) - low residency

    • Kathleen Aguero (Poetry)

    • Venise Berry (Fiction)

    • Nicole Terez Dutton (Poetry)

    • Randall Horton (CNF)

    • Robert Lopez (Fiction)

    • Iain Haley Pollock (Poetry)

    • Renée Watson (Fiction)

    • David Yoo (CNF, Fiction)

    • Writers-in-residence:

      • Terrance Hayes (Poetry)

      • Randall Kenan (CNF, Fiction)

      • Helen Elaine Lee (Fiction)

      • Grace Lin (Fiction)

  • University of Massachusetts - Amherst (MFA)

    • Ocean Vuong (Poetry)

    • Visiting faculty:

      • Tony Tulathimutte (Fiction)

      • Lynn Xu (Poetry)

MICHIGAN

  • Northern Michigan University (MFA)

    • Patricia Killelea (Poetry)

  • University of Michigan / Helen Zell Writers' Program (MFA)

    • Peter Ho Davies (Fiction)

    • Tung-hui Hu (Poetry)

    • Khaled Mattawa (Poetry)

    • Visiting faculty:

      • Tarfia Faizullah (Poetry)

MINNESOTA

  • Augsburg College (MFA) - low residency

    • Heid E. Erdrich (Poetry)

  • Hamline University (MFA) - residency / low residency

    • Swathi Avasthi (Fiction)

    • Coe Booth (Fiction)

    • Matt de la Pena (Fiction)

    • Sherri L. Smith (Fiction)

    • Gene Luen Yang (Fiction)

    • Note: All POC faculty teach YA/Children's fiction as part of the low residency program.

  • University of Minnesota (MFA)

    • V.V. Ganeshananthan (CNF, Fiction)

    • Ray Gonzalez (Poetry)

MISSISSIPPI

  • University of Mississippi (MFA)

    • Derrick A. Harriell (Poetry)

    • Kiese Laymon (CNF, Fiction)

    • Aimee Nezhukumatathil (Poetry)

MISSOURI

  • Southeast Missouri State University (MA)

    • Jenny Yang Crop (Poetry)

  • University of Missouri (MA, PhD)

    • Joseph Aguilar (Fiction)

    • Anand Prahlad (Poetry)

  • Washington University in St. Louis (MFA)

    • francine j. harris (Poetry)

    • Carl Phillips (Poetry)


Skip to Part 2 || Skip to Part 3

Neil Aitken is the author of two books of poetry, Babbage's Dream (Sundress 2017) and The Lost Country of Sight (Anhinga 2008), winner of the Philip Levine Prize. A former computer programmer and a Kundiman poetry alumnus, he holds an MFA in Creative Writing from UC Riverside and a Ph.D. in Literature & Creative Writing from USC. He is the founding editor of Boxcar Poetry Review, the administrator of Have Book Will Travel, and a board member of Poetry East West. (www.neil-aitken.com | neil.aitken@gmail.com | @neil_aitken)

In Ruminations Tags mentorship, mfa, phd, creative writing graduate programs, faculty of color
← POC Mentorship: Graduate Faculty Writers of Color - Part 2/3 (Montana - Tennessee)De-Canon @ UNA Gallery - Three Poets In Conversation (LIVING CANON 2) : An Exhibit & "Library" Preview →

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  • 2020
    • Nov 17, 2020 POC Mentorship: Graduate Faculty of Color (Canada)
  • 2019
    • Mar 16, 2019 AWP 2019 Offsite Events at De-Canon
  • 2018
    • Sep 12, 2018 De-Canon: A Celebration of Our Summer Events & A Look Forward
    • Aug 23, 2018 De-Canon: A Visibility Project :: Summer 2018 @ Milepost 5
    • Apr 14, 2018 De-Canon Summer Residency Begins in May
    • Mar 29, 2018 Inventory Updates: Recent Acquisitions
    • Mar 21, 2018 On Diaspora & Culture As Plurality: A Conversation With Viet Thanh Nguyen
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    • Mar 2, 2018 Owning the Means of Production, Part 2: POC-Edited Literary Journals
    • Feb 22, 2018 Owning the Means of Production, Part 1: POC-run Presses
    • Feb 7, 2018 Upcoming Poetry Book Prize Contests for POC Writers
    • Feb 2, 2018 POC Writers and Their Libraries
    • Jan 31, 2018 Mimi Mondal's "A Brief History of South Asian Speculative Fiction, Part I"
    • Jan 26, 2018 A Library of One's Own
    • Jan 17, 2018 "Cutting Through Linearity": A Poetics Workshop with Hoa Nguyen
    • Jan 12, 2018 POC Mentorship: Finding A Guide in the Wilderness
  • 2017
    • Nov 20, 2017 De-canon Profile on :: INTERSECTFEST / Dec 8-10, 2017 :: A Q&A with Organizer Anna Vo
    • Nov 10, 2017 De-Canonizing: "Vietnam" is A 7-Letter Word
    • Oct 20, 2017 Interview with Phillip B. Williams
    • Oct 20, 2017 August 2017 Exhibit: A Book List Snapshot
    • Sep 20, 2017 THOUGHTS FROM A SUMMER EXHIBIT :: DE-CANON AT UNA / AUG 2017
    • Jul 1, 2017 Neil Aitken Discusses De-Canon and POC Faculty with AWP's The Writer's Notebook
    • Jun 29, 2017 'at the tender table, yes' :: A Reading/Event Series for Stories About Food
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    • Jun 14, 2017 POC Mentorship: Graduate Faculty Writers of Color - Part 3/3 (Texas to Wyoming)
    • Jun 12, 2017 POC Mentorship: Graduate Faculty Writers of Color - Part 2/3 (Montana - Tennessee)
    • Jun 9, 2017 POC Mentorship: Graduate Faculty Writers of Color - Part 1/3 (Alabama - Missouri)
    • Jun 4, 2017 De-Canon @ UNA Gallery - Three Poets In Conversation (LIVING CANON 2) : An Exhibit & "Library" Preview
    • May 13, 2017 POC Mentorship & Community- On Seeking and Not Finding
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Jun 16, 2022

by: Sam Rivas, Contributor & Guest Author

De-Canon Project features poems on Fathers, Fathering, and Fatherhood. Each poem demonstrates the complexities of masculinity and how it can either be rigid or softened in the role as a father. As someone who has my own complicated yet beautiful relationship with my father, I found the poem “Coniferous Fathers” by Michael Kleber-Diggsss to be relatable. Anytime I get a chance to see my father or any father fall out of the toxic masculinity cycle, I feel comforted by their letting go so they can love us softly. Happy Father’s Day to all of the newly loving fathers out there!

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Jun 16, 2022
Celebrating the LGBTQ community
Jun 4, 2022
Celebrating the LGBTQ community
Jun 4, 2022

by: Sam Rivas, Contributor & Guest Author

@decanonproject features books by LGBTQ Writers of Color which bring intersectional communities together.

Happy Pride Month!

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Ocean Vuong, Night Sky with Exit Wounds

Carmen Maria Machado, In the Dream House : A Memoir

Natalie Diaz, Postcolonial Love Song

#pridemonth #lgbtqwriters #lgbtqcommunity #lgbtqpoets #creativewriting

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Jun 4, 2022
AAPI HERITAGE Month: Poetry
May 28, 2022
AAPI HERITAGE Month: Poetry
May 28, 2022

De-Canon Project continues to celebrate AAPI writers’ poetry & art!

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Engine Empire poems By Cathy Park Hong

“Though once I was so decent from such humble backgrounds

my ma bit her arm to feed us brothers three.

Am I cursed? I drink the myrrh her life who forced me alive.

History intones catch up, catch up while a number rots, then another.”

— “Seed Seller's Sonnet” (61)

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May 28, 2022
Intersectional Feminism Through the Words of AAPI Writers
May 27, 2022
Intersectional Feminism Through the Words of AAPI Writers
May 27, 2022

Asian American Pacific Islander writers whose books have conversations with one another on the theme of intersectional feminism and womanhood.

A Bestiary by Lily Hoang

“To prove our renowned endurance of pain, Vietnamese women

adorn their wrists with jade bracelets. In order to get the damn thing

on, one must distort the hand, almost breaking it. I have yellow

bruises for days, and yet: this is proof of our delicacy: how well we

take that agony and internalize it. The tighter the fit, the more suf-

fering the woman can persevere, the more beautiful she is considered.”

—“on the RAT RACE” (18)

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May 27, 2022
Asian American Pacific Islander Books Published by PNW Presses
May 23, 2022
Asian American Pacific Islander Books Published by PNW Presses
May 23, 2022

De-Canon celebrates Asian American Pacific Islander writers, zooming in on Pacific Northwest published poetry. These collections share elements of identity—history, grief, and family.

Portuguese by Brandon Shimoda @brandon_shimoda (Octopus Books & Tin House Books) @octopusbookspoetry

“Every child I see I say to myself / is that how my child will look? I look/ For parents to extrapolate against, see only/ Myself on the opposite shore” (8, The Grave on the Wall)

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May 23, 2022
Motherhood, Mothering, and Mothers
May 12, 2022
Motherhood, Mothering, and Mothers
May 12, 2022

by: Sam Rivas, Contributor & Guest Author

De-Canon contemplates the complexities of things we might think about on Mother’s Day, highlighting a few books by women writers of color on motherhood, mothering, mothers, and inheritance. Below are my favorite glimpses of The Breaks by Julietta Singh, Guidebook to Relative Strangers: Journeys into Race, Motherhood, and History by Camille T. Dungy, and Bring Down the Little Birds by Carmen Giménez Smith.

Being a daughter to a mother who is 843 miles away, has reminded me of my newborn self—calling every hour and crying to be fed words of reassurance. I am pregnant for the first time and each of these books feels like a Bible designed to understand mothers. They are gems of wisdom holding space in a world that typically focuses on the ugly of motherhood.

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May 12, 2022
De-Canon + Fonograf Ed. Hybrid-Lit Anthology :: Call for Submissions
Sep 30, 2021
De-Canon + Fonograf Ed. Hybrid-Lit Anthology :: Call for Submissions
Sep 30, 2021

De-Canon resumes its mission of “de-canonizing” by teaming up with Fonograf Editions to publish an anthology of hybrid-literary works by women and nonbinary BIPOC writers. This anthology will explore multimodal forms of writing that navigate the restless intersections of writing, visual art, and other media, and that innovate in their contemplations - and complications - of language and form. In this anthology we wish to investigate how and why the hybrid space resonates as it does, notably for BIPOC women and nonbinary writers, who may use such modes to elasticize and elude definitions, defy and blur boundaries, and thus reimagine paradigmatic possibilities. Submissions are open from October 1, 2021 to January 31, 2022.

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Sep 30, 2021
POC Mentorship: Graduate Faculty of Color (Canada)
Nov 17, 2020
POC Mentorship: Graduate Faculty of Color (Canada)
Nov 17, 2020

Back in 2017, I conducted a survey of all the graduate creative writing programs in the United States with the goal of identifying which programs had permanent full-time faculty of color teaching creative writing. That series of posts sparked a much larger discussion about faculty recruiting and hiring practices […]

Since moving back to Canada in 2019, I’ve been curious as to how things looked in my own country, and so decided to repeat this study, but this time focusing on Canadian universities that offer MFAs in Creative Writing as well as MA or Ph.D. English degrees with Creative Writing thesis options.

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Nov 17, 2020
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Mar 16, 2019
AWP 2019 Offsite Events at De-Canon
Mar 16, 2019

We are thrilled to be hosting a number of terrific readings and events at De-Canon during the last week of March as part of the offsite event offerings for AWP 2019 (Association of Writers & Writing Programs), the largest North American conference for writers, writing programs, publishers, literary journals, and other related vendors. Over 14,000 writers are expected to visit Portland. And we are pleased to be the host for a number of great events — check them out below. If Facebook event links are available, we’ve linked them to the event titles.

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Mar 16, 2019
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Sep 12, 2018
De-Canon: A Celebration of Our Summer Events & A Look Forward
Sep 12, 2018

Our stay at Mile Post 5 has been a phenomenal experience. We have enjoyed having a large space to ourselves in which we’ve been able to not only exhibit the entire (and continually expanding) collection of books, but create a space where we’ve hosted readings, offered writing workshops, provided room for meetings, and enabled writers and artists of color to interact with each other, as well as the local community. Here’s an overview of what' we’ve done this summer.

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Sep 12, 2018
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Aug 23, 2018
De-Canon: A Visibility Project :: Summer 2018 @ Milepost 5
Aug 23, 2018

Summer is dwindling, the air is forest-fire smoke-hazy, the country's news cycle continues to exhaust and infuriate, and we here continue to believe in the (both) urgent and timeless need for books, art, reading, poetry, sharing, and for representation, and spaces that allow us respite - yet through continuing and thoughtful engagement - from/with the chaotic rest of the world. As I write this now, it is an August afternoon and I am sitting in the quiet of our library…

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Aug 23, 2018
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Apr 14, 2018
De-Canon Summer Residency Begins in May
Apr 14, 2018

Thanks to the generosity of Artists Milepost, we'll be in residency there from mid May to late July. Our opening event will be on May 12 at 6pm. Through these three months, the exhibit space will be open as a reading library, workspace, and venue for 4 days a week, with the occasional weekend events.  We are expanding our archive and hope to have over 500 books available for visitors to read.

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Apr 14, 2018
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Mar 29, 2018
Inventory Updates: Recent Acquisitions
Mar 29, 2018

It's been a busy few weeks since AWP, but we wanted to share some of the books we brought back to add to De-Canon's growing archive, as well as books we recently received as donations.

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Mar 29, 2018
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Mar 21, 2018
On Diaspora & Culture As Plurality: A Conversation With Viet Thanh Nguyen
Mar 21, 2018

This is a conversation interview conducted by Dao Strom, new editor of diaCRITICS, with Viet Thanh Nguyen, author, founder and publisher of diaCRITICS. Read more about what Nguyen has to say about diaspora, identity, and the unique "double burden" of making art as a "minority" person amid or between "majority" cultures.

...I’m of the belief that anything a Vietnamese artist does is inherently Vietnamese, but is also something else–that it can be and should be universal too. The challenge for us is that, as minorities, we always labor under the double burden of our specificity while attempting to prove our universality.

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Mar 21, 2018
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Mar 6, 2018
Some Notes for AWP 2018
Mar 6, 2018

Although De-Canon does not have a formal presence at AWP this year (that is, we didn't invest in a table), we will still have a presence of sorts. If you'd like to chat about the project, discuss past or future post topics for the blog, or want to learn more about how to have your own books included in the archive, stop by Table 1136 in the bookfair to find Neil who is representing Boxcar Poetry Review & Have Book Will Travel.

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Mar 6, 2018
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Mar 2, 2018
Owning the Means of Production, Part 2: POC-Edited Literary Journals
Mar 2, 2018

In this post, we survey the landscape of literary journals and provide a listing of currently operating journals which are helmed by POC editors.  In total, we found __ literary journals whose mastheads list a writer of color as their editor-in-chief. Many also feature additional associate editors and staff members who are also POC. Some of these journals have been around since the 70s, but many are newer online journals, having come into existence in the last 5 years. 

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Mar 2, 2018
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Feb 22, 2018
Owning the Means of Production, Part 1: POC-run Presses
Feb 22, 2018

If we hope to truly challenge or reimagine literary canon, it is not enough to consider the academic programs where young writers are taught and trained. We must look beyond the classroom and the professoriate, past endless reams of syllabi making and remaking what constitutes canon, and consider the practical matter of how these texts enter the field in the first place.  In this post, we present a list of POC-helmed presses that are currently in operation.

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Feb 22, 2018
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Feb 7, 2018
Upcoming Poetry Book Prize Contests for POC Writers
Feb 7, 2018

Although the field of literary publishing is still primarily populated by white editors and publishers, there are some POC-owned and directed publishers and a number of new and well-established poetry book prizes that are judged by respected POC authors and which seek to champion work of writers from particular communities of color. If you're a POC poet with a book manuscript in need of a home, here's a list of upcoming contests you might want to try

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Feb 7, 2018
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Feb 2, 2018
POC Writers and Their Libraries
Feb 2, 2018

Over the past week and a half, we've been gathering images of POC writers and their libraries, as well as asking readers and writers of color to contribute their thoughts on the importance of building a personal library and how books by other POC writers have impacted their lives.

This post showcases responses from and glimpses into the libraries of Kazim Ali, Francisco  Aragón, Jackson Bliss, Genève Chao, Shu-Ling Chua, Oliver de la Paz, M. Evelina Galang, Nathania Gilson, Jenna Le, Gemma Mahadeo, Meera (@ashmeera101), and Brian W. Parker. 

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Feb 2, 2018
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Jan 31, 2018
Mimi Mondal's "A Brief History of South Asian Speculative Fiction, Part I"
Jan 31, 2018

On the radar -- Mimi Mondal explores the history of South Asian speculative fiction for science fiction and fantasy publishing blog, Tor.

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Jan 31, 2018
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Jan 26, 2018
A Library of One's Own
Jan 26, 2018

It's hard to explain exactly why having a personal library is so valuable -- and why it is particularly valuable to a person of color (writer or reader) to build a library for oneself.  Here are a few ways of thinking about the value and purpose of a personal library -- and what it can enable in ourselves.

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Jan 26, 2018