De-Canon

Although De-Canon does not have a formal presence at AWP this year (that is, we didn't invest in a table), we will still have a presence of sorts. If you'd like to chat about the project, discuss past or future post topics for the blog, or want to learn more about how to have your own books included in the archive, stop by Table 1136 in the bookfair to find Neil who is representing Boxcar Poetry Review & Have Book Will Travel.

In this post, we survey the landscape of literary journals and provide a listing of currently operating journals which are helmed by POC editors.  In total, we found __ literary journals whose mastheads list a writer of color as their editor-in-chief. Many also feature additional associate editors and staff members who are also POC. Some of these journals have been around since the 70s, but many are newer online journals, having come into existence in the last 5 years. 

If we hope to truly challenge or reimagine literary canon, it is not enough to consider the academic programs where young writers are taught and trained. We must look beyond the classroom and the professoriate, past endless reams of syllabi making and remaking what constitutes canon, and consider the practical matter of how these texts enter the field in the first place.  In this post, we present a list of POC-helmed presses that are currently in operation.

Although the field of literary publishing is still primarily populated by white editors and publishers, there are some POC-owned and directed publishers and a number of new and well-established poetry book prizes that are judged by respected POC authors and which seek to champion work of writers from particular communities of color. If you're a POC poet with a book manuscript in need of a home, here's a list of upcoming contests you might want to try

Over the past week and a half, we've been gathering images of POC writers and their libraries, as well as asking readers and writers of color to contribute their thoughts on the importance of building a personal library and how books by other POC writers have impacted their lives.

This post showcases responses from and glimpses into the libraries of Kazim Ali, Francisco  Aragón, Jackson Bliss, Genève Chao, Shu-Ling Chua, Oliver de la Paz, M. Evelina Galang, Nathania Gilson, Jenna Le, Gemma Mahadeo, Meera (@ashmeera101), and Brian W. Parker. 

It's hard to explain exactly why having a personal library is so valuable -- and why it is particularly valuable to a person of color (writer or reader) to build a library for oneself.  Here are a few ways of thinking about the value and purpose of a personal library -- and what it can enable in ourselves.